Showing posts with label PSB. Show all posts
Showing posts with label PSB. Show all posts

Sunday, 6 March 2016

BBC OfCom switch boosts political control?

Peter Preston, Guardian grandee, provides a solid run through of the issues around political appointments to PSB broadcasters boards (he notes an experienced privatising executive has just been appointed to C4 as lobby briefings make it clear the Tories want to sell off C4, this isn't just a BBC issue), including some historical examples.

Thursday, 14 January 2016

BBC politicised by funding World Service?

This is a report that I'm sure will be reported very differently in the right-wing press (ie, most of the UK press), much of which actively campaign against the whole concept of a publicly funded PSB and engage in BBC-bashing at every opportunity.

It reports that the public oppose the 2010 change, making the BBC pay for World Service radio (previously funded by the Foreign Office as it has the explicitly political aim of promoting British government policies and undermining non-democratic regimes around the world), as it politicises the BBC.

There is also fear that the poor will be badly served and neglected by proposed changes, including moving more content online only, and clear opposition to any pay-TV (as is planned for children's TV content).

OFCOM BBC made UK TV Mary Poppins TV?!

Part of the point of this article is that Phil Redmond is a name the under 30s are unlikely to recognise, but shows he produced and created from the 80s to 00s were iconic, what would now be called watercooler (as everyone would speak about them at school or work the next day) TV: Grange Hill, Brookside...

a sample episode of Brookie:

Tuesday, 14 July 2015

BBC In-depth 2015 analysis of its likely future

I've blogged in some depth and detail on the Beeb myself: this article is a good starting point if you're new to the debates around PSB, Reithian values, and the market imperative in broadcast media.
You can't disconnect politics from media regulation. Being from The Grauniad, the writing is slanted towards maintaining a viable BBC, where a right-wing paper might advocate banning services which 'the market' or 'commercial sector' already provide - or just straight up privatisation.

Tuesday, 21 April 2015

2015 General Election: Media Policy

Rather than post a stack of posts reacting to policy announcements and eventual manifesto pledges, I'll gather links and points in this post.

Key (probable) issues:
  • Future of BBC, funding, downsizing?; form of BBC regulation (scrap Trust?)
  • Wider future of PSB requirements
  • Future/role of OfCom
  • Watershed in digital era
  • Extending ratings system to music video and other media content
  • Press regulation, Leveson response, IPSO
  • Privacy laws, protection of journalists' right to privacy
  • Film industry state funding
  • Pluralism, (concentration of) ownership, cross-media ownership limits
UPDATE, 21ST APRIL: GUARDIAN GUIDE TO MEDIA POLICY PLEDGES
I've been saving a variety of links, but the Media Guardian has come to my rescue on this one!
Here's their helpfully pithy overview (written by Jasper Jackson):

Plans for the media industry may not be seen as a big vote winner this election, but the manifestos published over the past few days suggest that each party has a very different take on the industry.

Monday, 2 June 2014

FUTURE: no PSB, BBC, C4?

IN THIS POST:
  1. Link to a series of in-depth Guardian reports on BBC/PSB, history and future
  2. List of other posts on this blog on PSB/BBC
  3. Link to a helpful Word doc which in simple, plain language sets out the BBC/PSB issues, including commercial TV and its regulators over the years
  4. Define several key terms
  5. My take on PSB/BBC issues in several sub-sections, with further links, vids (Steve Coogan/Chris Morris), pics within each:
  • EARLY HISTORY + PASSIVE AUDIENCE ASSUMPTIONS 
  • REITHIAN VALUES: EDUCATE, ENTERTAIN, INFORM
  • STRICT REGULATION OF OWNERSHIP AND CONTENT
  • TROUBLES WITH NORTHERN IRELAND
  • OFF WITH THEIR HEAD: DODGY DOSSIERS + DEREGULATION 
  • A PATTEN EMERGES: COE IS ME
  • BYE BYE AUNTIE BEEB? FAREWELL PSB?
  • ANOTHER FUTURE: BBC WORLDWIDE + FREEVIEW CONNECT


NB: The Guardian has recently published in-depth reports on the BBC and PSB, including on the future of both.
Very useful! Access here.


I've blogged several times on PSB issues; see:
  • Greek PSB shutdown; comparison with Italy/Berlusconi
  • OfCom 2012 complaints overview: issues of child protection and watershed featured prominently - many detailed case studies you can use in this post, + wider analysis
  • Free market ideology/broadcast industry: a brief(ish) explanation of what we mean by 'free market', a key term/ideology used to argue for deregulation
  • OfCom research task: many useful links/bullet points within this
  • OfCom: some fundamentals. A detailed post which tells you much of what you need to know about the regulation of commercial TV, alongside some comparison with BBC regulation - and how the two overlap.
  • OfCom future: can't sanction ITV/C5? A new term entered the lexicon after ITV threatened to walk away from its PSB commitments entirely, arguing they cost too much while in a digital age the PSB benefits were gone: (license) handback. This post looks at the possibility of ITV/C5 simply ceasing to follow OfCom's PSB requirements.
  • Arguments against 'impartial' news/current affairs. Robert Fisk argues that the legal requirement for UK broadcast news/current affairs to be 'impartial' (similar to the 'fair and balanced' US doctrine ... though Fox News, with a blatant pro-Republican bias, faces no issues there [and OfCom granted it a license here, so long as it remains a US news station]) actually creates bias
There have been several important stories/events recently tied to PSB issues, so here's a summary of PSB, and how current events suggest a possible future direction.


You can also find a plain English Word doc which sums up PSB and gives a history of how this has changed with both the BBC and the commercial broadcasters (ITV etc) over the years at http://adamrobbins.edublogs.org/files/2007/06/what-is-public-service-broadcastin1.doc.

It dates back to 2007, but Adam Robbins' guide is helpful.




FIRST, SOME KEY TERMS:

PSB: Public Service Broadcasting. Sky, and the vast bulk of digital/cable channels are not legally considered as PSBs, it is only the BBC/ITV/C4/C5 that are PSB. These have a legal duty to reflect public needs for news and information; regional programming; and to ensure certain programme categories are included in their schedules (eg religious, children's). This reflects their privileged status: in the analogue era when you bought a TV these channels were automatically accessible, while in the digital era they are all free through Freeview and are still required to be listed at the top of EPGs (Electronic Programme Guide).

Friday, 14 June 2013

Greek state TV closure: do we need PSB?

Greece was rather stunned to have their equivalent of the BBC, ERT, abruptly switched off this week. The EBU (European Broadcasting Union) has stepped in, seeing this as an unacceptable state of affairs, and is broadcasting the network's programming over satellite. The Greek government, rather curiously, is issuing threats to anyone involved with this, despite having to pay nothing towards the operation.
Can you imagine a UK landscape either without a BBC or with a privatised, ad-funded BBC? By 2013 (and indeed, a decade+ ago), that has become the norm across the western world. Take Italy, where Silvio Berlusconi utterly dominates the media (print and broadcast) to a degree even Murdoch can (for now!) only dream of, and the under-funded state broadcaster, RAI, has been seen as very vulnerable to interference from Berlusconi - who has been Italian PM on and off for most of the past decade and more, despite constant scandals (often involving teenage prostitutes). Scandals which much of the Italian media won't report. His government coalition has always included a Fascist party, the Northern League (imagine Murdoch as PM, with the BNP - who consistently reject any attempt to put the label fascist onto them it should be fairly pointed out - in government as coalition partners).
Perhaps this helps to see why state PSBs are still important?

See guardian.co.uk/media/2013/jun/13/ert-greek-tv-switched-on. More Media Guardian articles on this here.

Saturday, 5 January 2013

DMail, ParentsTVCncl + Moral Panic

Simple example of how our press seek on a daily basis to whip up fresh moral panics to keep its (mostly older) readers in a righteous froth over declining moral standards, young people today and all that good stuff. The source here is the satirical Lost in Showbiz blog from The Guardian - a good example of how broadsheets juggle the demands of retaining their reputation for hard news whilst covering celebrity and other soft news that draws in huge numbers online (and often features on the print front page trails too). Just look at how often the X Factor is featured! 
NB: The article below contains some explicit sexual references.
This example shows how the Mail rather preposterously cited "how even the Parents Television Council" took offence at a portion of the Graham Norton Show New Year special, using this as a means of justifying attacking a favourite target of the right-wing press: the BBC, bastion of public service broadcasting and thus a challenge to the dominance of free market ideology through its very existence.

Parents 'fuming' at Kathy Griffin's on-air sexual antics on New Year's Eve

When the US comedian simulated fellatio on her co-host live on CNN, not everyone was amused.
Alexis Petridis, 3.1.13, http://www.guardian.co.uk/lifeandstyle/lostinshowbiz/2013/jan/03/parents-fuming-kathy-griffins-sexual
Comedian Kathy Griffin
Kathy Griffin, whose simulated oral sex didn’t go down well on US TV. Photograph: Jeffrey Ufberg/WireImage
And so to America, where something of a storm appears to have blown up over CNN's live coverage of events in New York's Times Square on New Year's Eve. The programme was considerably enlivened by comedian Kathy Griffin referring to the fiscal cliff as "the fisting cliff", then repeatedly dropping to her knees and pretending to simulate fellatio on her visibly unamused co-host Anderson Cooper: "I'm going down, you know you want to," she told him. "I'm kissing your sardine."
Lost in Showbiz confesses that, at first, it thought this all sounded pretty funny. Indeed, it ruefully reflected that it sounded substantially more entertaining than anything on British TV on the night of 31 December. How much more interesting would Graham Norton's interview with Mary Berry and Paul Hollywood of The Great British Bake Off have been if the Grande Dame of the pithivier and petits fours had taken a leaf out of Griffin's book, suddenly grasped Hollywood's testicles and announced: "I'm tickling your sac"?
That was, of course, until it read the Daily Mail's take on events and was swiftly forced to reconsider. Keen as ever not to create an unnecessary furore, the Mail reported that "Many failed to see the funny side of her antics and branded her behaviour 'vile' and 'putrid'." To underline the seriousness of the offence, it added: "Even the Parents Television Council got involved and is said to be 'fuming'."
Lost In Showbiz must admit that it had never heard of the Parents Television Council, but it was intrigued – mostly by the use of the word "even" in the Mail's report. This suggested that it must be an organisation renowned for its restraint, which would start "fuming" only when faced with the most unbearable provocation. It definitely is not to be confused with, say, The Arnica Network, which recently orchestrated a campaign against the BBC,

Tuesday, 15 May 2012

Free market ideas and broadcast regulation

Free market ideology centres on the belief that state interference in (ie regulation of) business and 'the markets' is negative and will harm business interests and economic growth. This is central to the right-wing ideology, though all three of our major parties today, including the supposedly left-wing Labour, follow this ideology.

This is also the dominant ideology of our press: 6 of the 9 main national dailies are right-wing.
The classic narrative or history of press regulation centres on one key point: that we only gained a free press when free market conditions were introduced; the ending of the stamp duty, in creating a free market, finally meant that the press were truly independent from government and politicians, and could now fulfil the central democratic role of a 'fourth estate' holding politicians and governments to account.

Curran and Seaton (and Chomsky and Herman, with their propaganda model) argue this is an intentional misreading of what actually happened - and what was intended to happen. They argue that this supposed 'free market' was explicitly designed to favour right-wing views, quoting from parliamentary debate to evidence this (politicians of the time were explicit in their aims to prevent or discourage the poor/working class from reading or publishing newspapers, and doing everything possible to stymie the then-healthy and strong radical, leftist press). Advertisers became the de facto regulators of this 'free market', and remain so today, with rising production costs meaning that only the wealthy could aspire to publish a newspaper (today, it would cost close to £100m to launch and fund a new national daily paper for a year).

Despite this, broadcasting regulation was initially very strict: after the BBC's monopoly was broken with the creation of ITV, the scheduling and programming of ITV was very, very tightly controlled by the regulators (ITA, then IBA) who had a hands-on role that is scarcely imaginable today. The regulators acted like channel managers would today, intervening if they didn't like the scheduling or mix of programmes.

Although Thatcher would famously rig the free market to punish an ITV company (Thames) that dared to defy her and introduce strict censorship laws over the issue of coverage of Northern Ireland (the 1988 Broadcasting Ban), her election in 1979 marked the start of a gradual dregulation. Thatcherism centred on free market beliefs, and piece by piece, continued by Labour, broadcasting regulations would be relaxed, and the restrictions on ITV companies (their ability to merge, plus PSB requirements) were relaxed. The ITC would be launched as a 'light touch' regulator, and OfCom was explicitly introduced with a core aim written into its own regulations of deregulation. In both cases, the idea of creating a 'national champion' capable of competing with US conglomerates was cited as a key factor.

There have been a few bumps along the road, however: much to the outrage of the Tories in Opposition (ie when Labour were in government), OfCom expanded its role to launch its own investigations and suggest new legislation on a wide range of media issues, while the 1986 Peacock Report famously shocked Thatcher by failing to recommend privatisation of the BBC, or scrapping the license fee in favour of ads.

Monday, 14 May 2012

OfCom research/presentation task

I'd like two groups to organise themselves and research either arguments FOR or AGAINST the statement that 'OfCom is an example of an effective regulator'.

You have several key resources for this:
  1. Use the Word docs embedded in the post at http://mediareg.blogspot.co.uk/2012/05/ofcomitc-key-docs.html;
  2. OfCom's own website;
  3. Links lists on this blog (for speed, I've copied/pasted these below: just click on 'read more');
  4. OfComWatch website;
  5. Guardian's OfCom page (you can see latest 5 stories on the news gadget on this blog)
  6. Daily Mail (you could google 'daily mail' and 'ofcom');
I'd like each group to ensure that any one article is being read + annotated by ONE person only. You'll have this lesson and the 1st 10mins of tomorrow to piece this together into a digestible form, and prepare for a debate. Discuss your findings and identify each distinct argument, attaching appropriate evidence/sources. Both sides of the argument will be presented tomorrow, with some time for debate/to challenge the other side's points.
What kind of points might you address?
  •  comparisons to the PCC...
  • ...and ITA/IBA/ITC (its predecessors)
  • (in)dependence from government
  • any major cases/rulings/controversies that illustrate the above
  • does it do anything more than react to complaints?
  • has this changed since the Tory-led coalition took over in 2010?
  • why were/are the Tories so hostile towards OfCom?
  • look at the 2003 Communications Act that launched it - was this strangely favourable to any media conglomerates?
  • is OfCom a super-regulator? does it oversee too much/is it too powerful?
  • you may find googling 'new zealand media super regulator' (or australia) useful: are other countries seeking to bring media regulation under a single body?
  • what powers does it have, and what examples are there of it using these - look for examples that might back your case!
  • does it have too much/little regulatory oversight over the BBC?
  • what are its operating costs (the PCC make much of this), who pays for the running of OfCom, and how has its budget changed since Jeremy Hunt became Culture Secretary?
  • do the press think it does a good job?
  • how has it performed over Hackgate and the scandal over Murdoch's power? has it independently launched any inquiries of its own?
  • has OfCom coped with the challenges of convergence, one of the reasons for its creation?

The Links Lists:

Monday, 5 September 2011

OfCom question future of PSB - can't sanction ITV/C5?

The following article is incredibly useful for solid info on 1 of the strands of this exam topic: the FUTURE shape and direction of media regulation. In essence the current national TV licenses (for ITV + C5) are set to expire in 2014. These media companies already argue that the financial benefits they once got from access to the analogue signal (meaning every TV could receive them, without need of subscribing to Sky, Virgin etc) are already too small these days, never mind when digital switchover is completed for the end of 2012. ITV bluntly told OfCom they'd continue to cut regional news, part of their required PSB output under the license agreement, regardless of any sanctions from OfCom - if they had to hand back their license and continue as a digital-only company, they'd do so.
The article also mentions 'the next communications bill, due before the next general election in 2015'. Given the huge public outcry over Hackgate, this should be a major shakeup of the way our media are regulated. We will discuss likely outcomes of this, something you need to be able to provide an informed opinion on for your exam.

[Read more Guardian articles on PSB here]
  
ARTICLE SOURCE: http://www.guardian.co.uk/media/2011/sep/02/ofcom-itv-channel-5
Ofcom 'could not stop ITV and Channel 5 cutting PSB programming'
Media regulator says licence renewal is approach most likely to ensure continuing delivery of key public service objectives
  • guardian.co.uk,
  • ITV News
    Ofcom has said it does not have the power to stop commercial broadcasters cutting back public service programming, such as ITV News
    Ofcom has said that the best option to guarantee that ITV and Channel 5 continue delivering news and their other public service broadcasting commitments is to renew their licences. But the regulator also admitted that it will not have the power to stop broadcasters cutting back on PSB programming if they want to.
    The admission came on Friday as Ofcom published its government submission on options for renewing Channel 3 (ITV) and Channel 5 licences, which expire at the end of 2014.
    Ofcom said that the three options given to Jeremy Hunt, the culture secretary, give him the "choice between stability and disruption" by either maintaining the status quo and renewing the existing licences or tearing them up and rethinking how, and in what form, public service TV content might be delivered in future.
    Ofcom said that the first option, that of renewing the existing licences with the same broadcasters for another decade, is probably the best bet if viewers want to continue to see PSB content on TV.
    "In the medium term licence renewal is the approach most likely to ensure the continuing delivery of the key public service objectives of supporting investment in original programming and news provision," Ofcom said in its 36-page submission to Hunt.
    However Ofcom notes that there is a "high degree of uncertainty" surrounding the commercial sustainability in a volatile UK broadcasting market of a licence running for 10 years from 2014.
    Ofcom's commercial PSB licences give holders benefits which have historically been financially very valuable, primarily reserved access to broadcast on strictly limited terrestrial spectrum and more recently on digital terrestrial TV, or Freeview. Licensees are also guaranteed prominence in the digital TV electronic programme guides.
    In return broadcasters have had to guarantee delivery of a range of PSB content, such as national and regional news for ITV licensees, and investing in original UK programming.
    However, broadcasters such as ITV have vigorously lobbied, and Ofcom has concurred, that the value of the PSB licences are less than the cost of delivering PSB programming that is often expensive to make and delivers low audiences.
    The PSBs have already moved to cut back on some of their obligations – under former executive chairman Michael Grade ITV threatened to pull out of regional news altogether – despite the sanctions at Ofcom's disposal to punish licence breaches.
    "It is uncertain whether the regulatory enforcement mechanisms currently in place would be sufficient to prevent licensees from seeking to pare back delivery of public service content in the future in response to unfavourable market conditions," said Ofcom.
    The media regulator admitted that "some form of agreement" would have to be reached with broadcasters to make sure PSB content was delivered "until the mid-2020s" – meaning some reduction in obligations agreeable by both sides.
    This option might also allow parliament to amend the structure of Ofcom broadcast licences covering the UK to look at options such as the creation of a separate licences for Channel 3 in Wales and Scotland, which is covered currently by three licences (Border, owned by ITV plc, and STV and Grampian, owned by STV).
    The second option is to cancel the existing PSB licences and retender to the market for the next period from 2014.
    This would give the government a chance to rethink what obligations should be included in the new licences and may also encourage the emergence of new players beyond the traditional PSBs.
    "A decision by the secretary of state to block licence renewal would lead to an award process that could lead to the development of new and innovative forms of public service content and drive efficiency," said Ofcom.
    Analysts at Citigroup said that such a move could lead to companies including Facebook and Google investigating the potential advantages of PSB provision.
    However, Ofcom also notes that it will be difficult for government to change or modify the existing PSB obligations and that it is "unclear" what new bidders would be interested.
    Nevertheless Ofcom says that the second option "remains a credible possibility".
    The third option is to extend the existing licences to allow for public service broadcasting to be given "full consideration" in the next communications bill, due before the next general election in 2015.
    Ofcom said this would allow parliament to assess what the PSB licences should cover in light of the remits of both Channel 4 and the BBC, as well as initiatives such as Hunt's plans for a new network of local TV services.
    "For instance, developments in the provision of local TV services in the next few years may lead parliament to reassess the continuing need for English regional programming on Channel 3," Ofcom said.
    This option would also allow the government to "clarify and tighten" the regulation around prominence of PSB channels on the EPG "to create additional public service value".
    However, Ofcom admits that forcing the existing PSBs to continue delivering on licence obligations they find loss-making may lead them to "consider becoming a fully commercial UK-wide broadcaster". The media regulator admits that ITV for one is set to find the costs of PSB status outweighing the benefits before 2014.
    "In those circumstances, it may not be possible to secure a replacement licensee given both the high fixed costs of providing a fully regional service with the existing range of obligations and the short term nature of any licence that Ofcom would be able to offer," said the media regulator.

Monday, 9 May 2011

OfCom: some fundamentals

Set up in 2002, when it initially shadowed the work of the ITC and other regulators, it assumed full power for the regulation of the broadcast and telecoms industries on 29th Dec 2003, under the Communications Act 2003
It was (and is) widely referred to as a 'super regulator', in recognition of it subsuming FIVE previous regulators:
So, it took over regulation of TV and radio (the broadcast industries) and telecoms (provision and operation of telephone/web [ISPs], including pricing and access to the national cable network laid by BT)
Labour had made much of the growing importance of the digital economy, and argued that the processes of digitisation and convergence made a cross-media regulator necessary. This seems a reasonable argument ... indeed, so good one has to wonder why advertising, the press and film were permitted to continue with their self-regulators (ASA, PCC, BBFC)! There are some contradictory but useful arguments here:
  • a super reguator made sense in the context of convergence (with the likes of Sky and Virgin offering their own TV services, the telecoms/TV distinction was growing blurred - triple play is now offered by several companies: TV, phone, broadband/web)
  • note though that OfCom was quickly shown to be a regulator with a fairly deregulatory ethos (eg it has continually loosened the requirements on ITV especially as a public service broadcaster to broadcast children's and regional programming, and permitted the timing of main news bulletins to be altered, plus allowed the previously independent ITV franchise companies to merge)
  • Labour, especially Chancellor Gordon Brown, talked up the importance of the creative industries and the digital economy, and saw OfCom as one means of helping to encourage the growth of this wired Britain - again, whilst it has more powers than the PCC, it was not set up to constantly interfere in the operations and functioning of the media industries!
    • Labour argued the UK needed large media companies, so permitted a degree of monopoly in ITV
  • BUT, if convergence made such a strong case for a super regulator, why not also bring in the ASA, BBFC and PCC (ad'g, film, press)?
    • there is a reasonable argument here: although the DCMS effectively oversees all media regulation, bringing ALL media regulation under one roof would raise fears of government interference. As our political system usually presents a left-wing Labour or right-wing Conservative (not coalition as at present) government, this would be seen as a risk
      • so the Tories right now are complaining loudly about the BBC referring to spending CUTS, insisting they should refer instead to SAVINGS
    • furthermore, wouldn't they be penalising the PCC etc for no apparent reason? (Labour praised the PCC repeatedly!)
    • perhaps a complicated system maintaining some self-regulated parts and some statutory is actually the best solution?
    • there is also the historical context: the telecoms and broadcast industries initially developed as state monopolies with strict licensing systems in place as private provision developed; there isn't the same free market history as for the press. Furthermore, given the extreme importance of media pluralism (a multiplicity of voices and views) within any functioning democracy, the broadcast media had to be tightly regulated as spectrum scarcity historically made this impossible (we only have to go back 30 years for a 3-channel UK TV system, C4 not being launched until 1982). To summarise: the broadcast media developed as state-owned monopolies, NOT as a pluralist free market, so self-regulation wasn't a straightforward proposition
    • a very complex set of regulations grew up around commercial TV (ITV), though the BBC was (and mostly remains) largely a self-regulator. Nonetheless, as the government sets its funding every ten years (less, under the current hostile Tory government!), there is clear scope to influence it, and the BBC is widely percieved to have been bullied and influenced by the current government (who still seem to think of the Beeb as the British Bolshevik Corporation [the 80s Thatcher government frequently labelled the BBC thus])
    • the broadcast media have traditionally been viewed as more powerful, more likely to influence its consumers, than the press. Indeed, much of the early effects theories arose from reactions to the way the Nazis used film, TV and radio for propaganda purposes in the 1920s to 1940s (leading to the creation of influential groups such as the Frankfurt School)
Another very useful to look at this is to consider the example of News Corporation. The concept of a super-regulator means that its telecoms (Sky's telephone and ISP) operations come under the auspices of OfCom. Its TV holdings (Sky) also comes under OfCom's wings (although, as its not a public service broadcaster [PSB], it is not as tightly regulated as ITV, BBC, C4, C5). That is surely a good thing; the regulator is able to take into consideration its cross-media holdings and operations when called upon to consider cases involving Sky, and can also consider this when reviewing the structure of these media industries, including its reviews into pricing and monopolies.
But what about the other three main media regulators? As it happens, each of the ASA, PCC and BBFC also regulate subsidiaries of the global conglomerate that is News Corporation. Sky in particular is a major advertiser, spending 100s of £millions each year on marketing (ASA). The News International subsidiary runs the UK's leading tabloid (S*n/NoTW) and broadsheet (Times/Sunday Times) [PCC], while the company also owns 20th Century Fox [BBFC], producer of Avatar. Indeed, the marketing for Avatar to some extent involved all forms of media! News Corporation is not shy of exploiting its cross-media holdings for the synergies offered by horizontal integration, in one notorious case publishing no fewer than 13 articles on Avatar or 3D in one edition of The S*n! Then of course there is the ongoing matter of News Corporation's intentions to buy the remaining 60% of the shares in BSkyB. This was seen as a matter for OfCom - but why not the PCC? Surely the issue here is not so much about this notorious right-wing zealot Murdoch operating a TV network, but about this same gentleman (behind the lovely Fox News lets not forget; biased domestic news remains illegal in the UK, but give it time...) also having a dominant share of the press too? Don't we need an all-media regulator to effectively regulate such cross-media giants? A true super-regulator for such super-media conglomerates?!
We could make some similar points about Richard Desmond's media holdings which, in addition to his porn channels/publications, includes Channel5, The Star and the Daily/Sunday Express. He's already used his tabloid to heavily hype up C5's signing of the show Big Brother.


OfCom is very different to the PCC...
  1. It is a statutory regulator
  2. It has real powers (to fine, ban and even withdraw broadcast licenses, which it has done with several porn TV stations, but also to intervene in the markets/pricing of telephony/ISPs)
  3. It is not simply the regulator for ONE industry
  4. Its budget reflects all these points: £121.6m, compared to the PCC's £2m (unchanged for many years). £76m comes from the Dept for Business, Innovation and Skills, £600k from the DCMS, and the £55.1m remainder from the broadcast/telecoms industries 
  5. There is a schism at its heart: whilst its plainly trying to take over the regulation of the BBC from its BBC Trust, OfCom only regulates small parts of the BBC's operations in 2011
Under Labour, OfCom was very high profile and thrived, undertaking a rapid expansion with a series of in-depth investigations and reports which effectively set the agenda for government policy. The Conservatives are ideologically opposed to this, and de-regulation of all business, no matter what ties it may have to culture or public opinion, is a core Tory value. Cameron and his Media spokesman, now Culture, Media and Sport Secretary at the DCMS, Jeremy Hunt, were clear and vociferous in their opposition to OfCom exerting such power, and it was Tory policy to clip OfCom's wings.

Which they swiftly have done as part of the current coalition government...
28.2% of OfCom's budget is to be cut. While there are widespread public spending cuts under way, this is more than most (and amounts to 170 jobs, effectively ending OfCom's reign as supreme creator of media policy!). They have fared better than organisations such as the UKFilm Council though (not a regulator), which has been scrapped as part of the much heralded 'bonfire of the quangos'.

Even so, as the Conservatives have traditionally been hostile to the BBC, OfCom may yet be handed regulation of the Beeb...

The Peacocok Ctee (1985), set up to review financing of the BBC, was expected by thatcher to recommend its privitisation. The 1986 Peacock Report DID suggest selling off Radios 1 + 2, BUT explicitly backed the publicly-owned BBC as a necessary evil to maintain general broadcasting standards, recognising that privatising it would lead to a rapid tabloidisation or dumbing down of TV in general.

The government has, though, already made some changes to the way OfCom operates:
The government is to merge independent communications regulator Ofcom with its postal service counterpart Postcomm as part of the quango cull announced today.
Ofcom is also to lose powers relating to policy setting, which are to be returned to the Department for Culture, Media and Sport, and will no longer control decisions related to independent ownership of television franchises, such as ITV and Channel 5, but all its core communications functions will remain.
It will, however, now be allowed to charge fees for satellite filings when made to the International Telecommunications Union.
Speculation had surrounded the future of Ofcom since before the election, and many had anticipated the quango would be cut altogether in today's announcement.
The coalition today published the Postal Services Bill which will provide for the transfer of Postcomm's functions to Ofcom, maintaining its focus on securing a "universal postal service".


quick summary of the thinking behind deregulation...
The current coalition government have launched a 'Red Tape Challenge', seeking to identify legislation (laws) that can be scrapped. They, and papers such as the Mail, habitually refer to regulation as 'red tape' or 'bureaucracy', overlooking the context in which such rules emerged (often in response to some crisis). Regulation is seen as a barrier to entrepreneurialism, and to business in generel; in theory, the less there is of this the freer businessmen are to grow businesses and create jobs. This goes against traditional left-wing values, which sees the power of the state as a necessary brake on the free market to protect the poor and vulnerable (see this eg), though such are our contemporary politics that Labour has also attacked red tape!

Monday, 4 April 2011

Argument against BBC-style balanced reporting

Robert Fisk (a legendary journalist for his writing on foreign affairs, rather disliked by most on the right for his critical reportage of Western military (mis)adventures) puts forward an argument here that the PSB broadcasters, tied by the doctrine (regulatory regime) of being balanced in their reportage, often actually fail to report the news accurately - that there needs to be freedom to present a reasoned interpretation of events.
I doubt he'd welcome this description, but what in fact he is doing is presenting a case which could be used to support the ferociously partisan press we have, partially through its 'self-regulation' (which equates to absolute minimal regulation in effect).
He also makes some good points, reflecting those often raised by satirists such as Chris Morris (The Day Today and Brass Eye) and Charlie Brooker (Guardian column, Newswipe, Screenwipe, How Television Ruined the World etc), about the absurdity of many of the presentational conventions of our TV news. (Another Indie feature tracks a common press ploy: raising a question in a headline to which the answer is blatantly 'no': see http://blogs.independent.co.uk/tag/headline/ which has collected over 500 examples so far)

Source: http://www.independent.co.uk/opinion/commentators/fisk/robert-fisk-let-the-images-of-war-speak-for-themselves-2260019.html
Robert Fisk: Let the images of war speak for themselves

Saturday, 2 April 2011

I hate being called a war reporter. Firstly, because there is an unhappy flavour of the junkie about it. Secondly, because you cannot report a war without knowing the politics behind it.
Could Ed Murrow or Richard Dimbleby have covered the Second World War without understanding Chamberlain's policy of appeasement or Hitler's Anschluss? Could James Cameron – whose reporting on Korea was spectacular – have recorded the live test-firing of an atom bomb without knowledge of the Cold War?
I always say that reporters should be neutral and unbiased on the side of those who suffer. If you were covering the 18th-century slave trade, you would not give equal space to the slave-ship captain. At the liberation of an extermination camp, you do not give equal time to the SS. When the Palestinian Islamic Jihad blew up a pizzeria full of Israeli children in Jerusalem in 2001, I did not give equal space to the Islamic Jihad spokesman. At the Sabra and Chatila massacre in Beirut in 1982, I did not give equal time to the Israeli army who watched the killings and whose Lebanese allies committed the atrocity.
But television has different priorities. "Al Jazeera English" – as opposed to the Arabic version – manages to get it about right. Yes, I occasionally make an appearance on Al Jazeera and its reporters are good friends of mine. But it does say who the bad guys are; it does speak out, and it puts the usually pusillanimous BBC to shame. What I am most struck by, however, is the quality of the reporting. Not the actual words. But the pictures.
In Tunisia and in Bahrain, I often shared a car with James Bays of Al Jazeera (and yes, he is a mate of mine, and yes, I was travelling at his expense, of course!), but I was fascinated by the way he would step aside from the camera with the words "I'll just let you see the scene here for a moment", and then he would disappear and let us watch the tens of thousands of Egyptian refugees on the Tunisian border or the tens of thousands of Shia demonstrators with their Bahraini flags on the Pearl roundabout (the "pearl" having now been destroyed by the king like a ritual book-burning). The pictures spoke instead of words. The reporter took a back seat (watch the BBC's boys and girls, for ever gesticulating with their silly hands, for the opposite) and the picture told the story.
Bays himself is now covering the rebel advance and constant retreat from western Libya – more retreating, I suspect, than Generals Wavell and Klopper (yes, James, look him up) – did in the Libyan desert in the 1940s, but again, he steps aside from the picture and lets us watch the chaos of panic and fear on the road from Ajdabiya. "I'll just let you see this with your own eyes," he says. And by God, he does. I'm not sure this is how war should be reported. Can you report on the 1945 fall of Berlin without General Zhukov? Or June of 1940 without Churchill? But at least we are left to make up our own minds.
When Dimbleby reported on the Hamburg firestorm – "All I can see before me is a great white basin of light in the sky", still haunts me – we needed his words. Just as we needed Ed Murrow's comment that he would move his cable "just a bit" to allow Londoners to flock for cover outside St Martin-in-the-Fields during the Blitz. But there is something indelibly moving about a straight camera report without a reporter. Eurovision often does this – "without words", it calls the tapes – and I wonder if it does not presage a new kind of journalism.
John Simpson tried to do this on the BBC before the fall of Kabul in 2001, but he used a different method. He allowed viewers to see his second camera crew. They became part of the dispatches as he moved from scene to scene, and slowly we got used to the idea that there was a four-man crew with him, to the point that they became natural participants in the story, as obvious as the reporter himself. I'm all for this. The idea that we still have to do "noddies" – where the reporter, long after an interview, nods meaningfully in front of the camera as if he were still listening to his long-departed interviewee – is ridiculous. And to go back for a moment, please, please, will television reporters STOP playing with their hands as if they are some Shakespearean extra, trying to explain themselves in front of bored theatre audiences.
Bays still uses his hands a bit – I noticed that I did on Al Jazeera the other day – but more often than not, it's to invite the audience to look at something he has seen. I once wrote that you cannot describe a massacre in print without using the language of a medical report, and I fear that television (even Al Jazeera) does not yet give us the full horror of atrocities. The claim that the dead cannot be shown – when we journos have to see them in all their horror – always seems to me dissembling. If governments go to war (how many saw pictures of the Libyan dead after coalition raids this week? Answer: zero), then we should be allowed the see the true face of war.
For the moment, however, watch Al Jazeera, have a look at my good friend James Bays – and pray that he doesn't have to retreat any more. Also, after this column, that he still lets me travel in his crews' cars.