Showing posts with label Russell Brand. Show all posts
Showing posts with label Russell Brand. Show all posts

Tuesday, 20 January 2015

Balanced broadcasters? Don't bank on it...

Our ‘impartial’ broadcasters have become mouthpieces of the elite http://gu.com/p/453g6

This is a piece by columnist George Monbiot, a prominent left-wing environmentalist (who can be seen in one of Russell Brand's regular YouTube videos); he argues:
The illusion of neutrality is one of the reasons for the rotten state of journalism, as those who might have been expected to hold power to account drift thoughtlessly into its arms.
He details a scandal at the Canadian equivalent of the BBC before examining the BBC's highly partial, biased reportage of the economic crisis and the austerity policy that our three major parties have all agreed upon. As you read this, consider that Chomsky's propaganda model has 'source strategies' as one of the five filters, with flak (for any foolhardy enough to question austerity) also an issue here, alongside the anti-Communism (i.e., anti-left-wing) filter too:

Tuesday, 24 May 2011

Hate Mail - some satirical vids on Daily Mail

The paper that published the Jan Moir column on Gateley, not to mention the example we've studied of the schoolgirl whose thighs they helpfully featured in close-up, is nicknamed the 'Hate Mail' by some (generally left-leaning or liberal folk) for its editorial stance (views) on race, sexuality, gender etc. An extremely influential paper, the current and previous government pay close attention to what it says and strive to avoid receiving flak from it - a rather ridiculous stance for the supposedly left-wing Labour government, but more understandable from a right-wing Tory administration.
The following are just a few of the satirical vids you can find on YouTube on this paper, which once delighted in supporting the Nazis and the UK equivalent, Mosley's brownshirts. Whether you agree with the views it expresses or not, they are worth being aware of as an example of the narrow ideological range of our national press, but also for the paper's reputation as the "voice of middle England". As with any satirical text, boundaries are pushed; please be aware before choosing to watch these that some of the material is 'edgy'.
See also the blog http://www.mailwatch.co.uk/
It may be worth considering whether such vids at least attempt to perform a scrutinising duty that the PCC fails to...



This one pushes it as far as it goes, adding new subtitles to a drama about Hitler's final days; I won't embed it but you can watch it at http://www.youtube.com/watch?v=fIRbcIVKeXk&feature=related
Less contentiously, Bill Oddie delivers a swipe at the Mail, also a target for Irish nationalists.
Here we have a BBC show responding to a characteristic Mail attack on the BBC; their points on why the Mail, Murdoch press etc routinely attack the BBC (at the end of the sketch) are useful:

This is a rather safer option: footage from the Select Committee exploring the issue of privacy, with DMail editor Paul Dacre on the spot:

The level of taste here is questionable, but ultimately the comedian Russell Howard simply utilises actual stories from the Mail, providing one example of how it can create moral panics:

Remember the outcry over the Ross/Brand show? Here's how Russell Brand responded to the Mail's coverage (it features shots of historical pro-Nazi Mail articles):

Perhaps sharpest of all is this sketch from a BBc3 show:


One final point on this; the Mail is something of an easy target, but is an outstanding success in commercial and cultural terms - the owners may not be as powerful as Murdoch but the Mail has become a paper that politicians pay close attention to. It shares many traits with The S*n, and is emblematic of the largely right-wing nature of our national press. Remember though what Curran and Seaton were trying to flag up: for long periods Britain was dominated by a 'radical press' (generally left-wing), with the various steps which are conventionally proclaimed as having achieved press freedom actually, in their eyes, consciously creating the near-exclusive right-wing press we see today.