Resources and analysis on the topic of media regulation, particularly for the A2 Media exam, Section B. Major case studies include the film industry, music video and the press, with major players such as Murdoch, OfCom and the government considered. If using materials from this blog, please credit the source - Dave Burrowes, Media Studies @ St George's School
Exam date
Some key posts and resources
- 2019 and earlier IPSO cases
- 2021 overview
- BBFC historic bans, subjective judgement?
- BBFC Human Centipede 2
- BBFC overview essay style writing
- BBFC overview with vids
- BBFC U/PG cases Postman Pat--Paddington--Watership Down
- Daily Mail IPSO google
- EU press flak
- IPSO arbitration fines scheme
- IPSO children rulings
- IPSO PCC arguments FOR
- Murdoch flak/conc of ownership
- MUSIC RACISM drill musicians criminalised
- Press reg history (website)
- Privacy 2018 summary
- Social media alt to IPSO?
- Social media as alt reg/FAANGS power up to early 2019
- StopFundingHate
- Tabloid Corrections
- Telegraph libel payout AFTER IPSO ruling unsatisfactory
- The Rock Daily Star Insta
Showing posts with label Russell Howard. Show all posts
Showing posts with label Russell Howard. Show all posts
Monday, 1 February 2016
Press Distortion/Inaccuracy: Mail + Cancer scares
At some stage we'll watch Russell Howard's song about this, but here's a good, detailed article on yet another scary tale of something everyday that causes cancer from the fun-loving Mail:
Tuesday, 24 May 2011
Hate Mail - some satirical vids on Daily Mail
The paper that published the Jan Moir column on Gateley, not to mention the example we've studied of the schoolgirl whose thighs they helpfully featured in close-up, is nicknamed the 'Hate Mail' by some (generally left-leaning or liberal folk) for its editorial stance (views) on race, sexuality, gender etc. An extremely influential paper, the current and previous government pay close attention to what it says and strive to avoid receiving flak from it - a rather ridiculous stance for the supposedly left-wing Labour government, but more understandable from a right-wing Tory administration.
The following are just a few of the satirical vids you can find on YouTube on this paper, which once delighted in supporting the Nazis and the UK equivalent, Mosley's brownshirts. Whether you agree with the views it expresses or not, they are worth being aware of as an example of the narrow ideological range of our national press, but also for the paper's reputation as the "voice of middle England". As with any satirical text, boundaries are pushed; please be aware before choosing to watch these that some of the material is 'edgy'.
This one pushes it as far as it goes, adding new subtitles to a drama about Hitler's final days; I won't embed it but you can watch it at http://www.youtube.com/watch?v=fIRbcIVKeXk&feature=related
Less contentiously, Bill Oddie delivers a swipe at the Mail, also a target for Irish nationalists.
Here we have a BBC show responding to a characteristic Mail attack on the BBC; their points on why the Mail, Murdoch press etc routinely attack the BBC (at the end of the sketch) are useful:
This is a rather safer option: footage from the Select Committee exploring the issue of privacy, with DMail editor Paul Dacre on the spot:
The level of taste here is questionable, but ultimately the comedian Russell Howard simply utilises actual stories from the Mail, providing one example of how it can create moral panics:
Remember the outcry over the Ross/Brand show? Here's how Russell Brand responded to the Mail's coverage (it features shots of historical pro-Nazi Mail articles):
Perhaps sharpest of all is this sketch from a BBc3 show:
One final point on this; the Mail is something of an easy target, but is an outstanding success in commercial and cultural terms - the owners may not be as powerful as Murdoch but the Mail has become a paper that politicians pay close attention to. It shares many traits with The S*n, and is emblematic of the largely right-wing nature of our national press. Remember though what Curran and Seaton were trying to flag up: for long periods Britain was dominated by a 'radical press' (generally left-wing), with the various steps which are conventionally proclaimed as having achieved press freedom actually, in their eyes, consciously creating the near-exclusive right-wing press we see today.
The following are just a few of the satirical vids you can find on YouTube on this paper, which once delighted in supporting the Nazis and the UK equivalent, Mosley's brownshirts. Whether you agree with the views it expresses or not, they are worth being aware of as an example of the narrow ideological range of our national press, but also for the paper's reputation as the "voice of middle England". As with any satirical text, boundaries are pushed; please be aware before choosing to watch these that some of the material is 'edgy'.
See also the blog http://www.mailwatch.co.uk/It may be worth considering whether such vids at least attempt to perform a scrutinising duty that the PCC fails to...
This one pushes it as far as it goes, adding new subtitles to a drama about Hitler's final days; I won't embed it but you can watch it at http://www.youtube.com/watch?v=fIRbcIVKeXk&feature=related
Less contentiously, Bill Oddie delivers a swipe at the Mail, also a target for Irish nationalists.
Here we have a BBC show responding to a characteristic Mail attack on the BBC; their points on why the Mail, Murdoch press etc routinely attack the BBC (at the end of the sketch) are useful:
This is a rather safer option: footage from the Select Committee exploring the issue of privacy, with DMail editor Paul Dacre on the spot:
The level of taste here is questionable, but ultimately the comedian Russell Howard simply utilises actual stories from the Mail, providing one example of how it can create moral panics:
Remember the outcry over the Ross/Brand show? Here's how Russell Brand responded to the Mail's coverage (it features shots of historical pro-Nazi Mail articles):
Perhaps sharpest of all is this sketch from a BBc3 show:
One final point on this; the Mail is something of an easy target, but is an outstanding success in commercial and cultural terms - the owners may not be as powerful as Murdoch but the Mail has become a paper that politicians pay close attention to. It shares many traits with The S*n, and is emblematic of the largely right-wing nature of our national press. Remember though what Curran and Seaton were trying to flag up: for long periods Britain was dominated by a 'radical press' (generally left-wing), with the various steps which are conventionally proclaimed as having achieved press freedom actually, in their eyes, consciously creating the near-exclusive right-wing press we see today.
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